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What happens when two hustlers hit the road and one of them suffers from narcolepsy, a snooze disorder that causes him to instantly and randomly fall asleep?
We get it -- there's quite a bit movies in that "Suggested To suit your needs" segment of your streaming queue, but How does one sift through every one of the straight-to-DVD white gay rom coms starring D-list celebs to find something of true substance?
The premise alone is terrifying: Two twelve-year-previous boys get abducted in broad daylight, tied up and taken to a creepy, remote house. If you’re a boy mom—as I'm, of the son around the same age—that might just be enough for yourself, and you simply won’t to know any more about “The Boy Behind the Door.”
It doesn’t get more romantic than first love in picturesque Lombardo, Italy. Throw within an Oscar-nominated Timothée Chalamet as being a gay teenager falling hard for Armie Hammer’s doctoral student, a dalliance with forbidden fruit As well as in A serious supporting role, a peach, and you simply’ve acquired amore
The awe-inspiring experimental film “From the East” is by and large an work out in cinematic landscape painting, unfolding for a series of long takes documenting vistas across the former Soviet Union. “While there’s still time, I would like to make a grand journey across Eastern Europe,” Akerman once said with the determination behind the film.
Taiwanese filmmaker Edward Yang’s social-realist epics often possessed the scary breadth and scope of the great Russian novel, from the multigenerational family saga of 2000’s “Yi Yi” to 1991’s “A Brighter Summer Day,” a sprawling story of one middle-class boy’s sentimental education and downfall established against the backdrop of the pivotal moment in his country’s history.
Seen today, steeped in nostalgia for the freedoms of a pre-handover Hong Kong, “Chungking Specific” still feels new. The film’s lasting power is especially impressive while in the face of such a fast-paced world; a world in which nothing could be more valuable than a concrete offer from someone willing to share the same future with you — even if that offer is composed on the napkin. —DE
“Admit it isn’t all cool calculation with you porn hyb – that you’ve received a heart – even if it’s small and feeble and you may’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan (Gabriel Byrne). And for all its steely violence, this film includes a heart as well.
These days, it could be hard to independent Werner Herzog from the meme-driven caricature that he’s cultivated since the achievements of “Grizzly Male” — his deadpan voice, his love of Baby Yoda, his droll insistence that a chicken’s eyes betray “a bottomless stupidity, a fiendish stupidity… that they will be the most horrifying, cannibalistic, and nightmarish creatures in the world.
Spike Jonze’s brilliantly unhinged goodporn “Being puretaboo John Malkovich” centers on an amusing high concept: What when you found a portal into a famous actor’s mind? But the movie isn’t designed to wag a finger at our lifestyle’s obsession with the lifestyles with the rich and famous.
Many of Almodóvar’s recurrent thematic obsessions look here at the peak of their artistry and performance: surrogate mothers, distant mothers, unprepared mothers, parallel mothers, their absent male counterparts, along with a protagonist who ran away from the turmoil of life but who must ultimately return to face the past. Roth, an acclaimed Argentine actress, navigates Manuela’s grief with a brilliantly deceiving air of serenity; her character is purposeful but crumbles at the mere mention of her late kid, consistently submerging us in her insurmountable pain.
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David Cronenberg adapting a J.G. Ballard novel about people who get turned on by vehicle crashes was bound czech porn to become provocative. “Crash” transcends the label, grinning in perverse delight because it sticks its gay sex videos fingers into a gaping wound. Something similar happens inside the backseat of an automobile in this movie, just 1 within the cavalcade of perversions enacted through the film’s cast of pansexual risk-takers.